Gabrielle Roth & The Mirrors - Selected Works 1985-2005


Ground-breaking percussive ambient recordings to induce altered states of consciousness through ecstatic dance. Gabrielle Roth & The Mirrors were a world unto themselves.


Despite featuring an extraordinary cast of musicians (with credits including Pharoah Sanders, Miles Davis and Patti Smith) and selling hundreds of thousands of albums, the music of Gabrielle Roth & The Mirrors remains largely unheard beyond their sphere. Conceived as live, improvised soundtracks to Roth’s transcendental dance workshops, musical acclaim was never on the agenda.

Instead, for a passionate dancer and spiritual polyglot like Gabrielle Roth, movement was a means through which to channel a wide spectrum of teaching, from experimental psychology to psychedelic counter-culture. It was from this heady mix that she devised a movement meditation known as 5Rhythms, which came to define her life’s work.

As “guide and catalyst”, Roth would dance to inspire the percussion-led instrumentals that would in turn fuel her 5Rhythms workshops, stimulating a secular form of ecstatic dance with roots in Native American shamanic traditions, Afro-Brazilian Candomblé and Yoruba drumming.

Using anything from a Sioux pony drum to East African kihembe and Japanese Kabuki drums, Gabrielle’s lawyer-turned-drummer husband Robert Ansell set the foundational rhythms for The Mirrors’ recordings, each of which would then feature a rotating cast of friends and professional musicians.

“The secret of everything we’ve done is that we never told anybody what to play,” Robert shares. “Instead of our albums being a musical vision of one person like me or Gabrielle, they were the musical vision of a whole bunch of people.”

At times the recordings have a Middle Eastern flair, at others, West African and spiritual jazz modes come to the fore. Hints of kosmische musik, proto-house and electronic ambience are laced like LSD through the organic rhythmic structures. This was kaleidoscopic ambient music to stir the body and free the mind.

In practice, the task of synthesising these different elements fell to Scott Ansell, Robert’s son and a recording engineer whose credits now include Nile Rogers, Duran Duran, Grace Jones. With meticulous attention to detail he captured and translated the dynamic energy of each drum onto record. Their sessions became legendary, and with access to the best studios in the NYC, The Mirrors sparkled.

Despite being initially overlooked by the burgeoning ‘80s New Age market, which preferred pipes and gongs to The Mirrors’ heavy-grooving drums, Robert Ansell set up Raven Recording to self-release the music, creating a vast sonic archive of sixteen albums over almost forty years.

The breadth of Raven’s catalogue is such that curator Pol Valls had to cut an initial selection of sixty-six tracks down to the eleven featured here. What crystallises is a stunning, mind-altering collection which spans, in Pol’s words, “a variety of genres, styles, and vibes within their catalogue, whether it is emotional, esoteric, spiritual, melancholic, hypnotic, dark, or at times a combination of these elements together.”

Music for immersive and intimate environments, Gabrielle Roth & The Mirrors were born from the dance. In the hands of the right DJ, at the right time, in the right place, they might just return there.


Side A:

Night Whisper (Trance) - 5:22

Robert Ansell – pony drum, bata
Gordy Ryan – asheiko, santa cruz bell
Rocky Bryant – drum head
Daniel Lauter – tenor sax
Gary Thomas – didjeridu

Eliana (Totem) - 4:53

Robert Ansell – taos drum, kihembe, tone block, triangle
Gordy Ryan – asheiko
Manuel Martinez – tone box
Alex Blake – bass guitar, vocal
Jose Martinez - cymbals

Nomad (Trance) - 7:45

Robert Ansell – pony drum, concert toms
Gordy Ryan – jimbae
Geoffrey Gordon – shaker/pods, brass bowl, tamborim, background vocal
Sanga of the Valley – jimbae
Gary Thomas – didjeridu
Jai Uttal – dotar, lead vocal

Side B:

Stefania’s Song (Still Chillin’) - 6:44

Robert Ansell – concert tom, misc. percussion
Joe Bonadio – electronic drums
Sara Carlson – vocals
Allison Cornell – viola, vocals
Harvey Jones – synth
Rubin – Kodheli – cello
Sanga of the Valley – bongos, conga, dun-dun

Seducing Hades (Luna) - 7:55

Robert Ansell – pony drum, concert toms
Rocky Bryant – snare, tom
Delmar Brown – synthesizer
Charles Burnham – electric violin
Allison Cornell – lead and background vocals
Devin Emke – guitar
Hearn Gadbois – dumbek
Nicholas Naylor-Leyland – background vocal
Sanga of the Valley – mini jimbae
T.M. Stevens – warwick bass

Side C:

Zone Unknown (Zone Unknown) - 5:58

Robert Ansell – pony drum
Carl Adami – synthesizer
Steve Dwire – drum program
Bob Een – cello
Harvey Jones – synthesizer
Benny Koonyevtsky – log drums
Sanga of the Valley – misc. percussion

Silver Desert Cafe (Tongues) - 5:33

Café da Silva – conga, misc. percussion
Bob Een – cello
Devin Emke – guitar
Yossi Fine – bass
Amir Gwirtzman – zornafon, nay, arghul
David Rosenberg – drums
Sanga of the Valley - jimbae

Totem (Totem) - 6:47

Robert Ansell – concert toms,
Gordy Ryan – asheiko, jimbae, log drum
Manuel Martinez – tone box, cowbell
Paula Chan – bing flute
Gene Heimlich – bass harmonica
Jose Martinez – high hat, snare

Side D:

Dancing Path: Chaos (Initiation) - 4:26

Robert Ansell – kabuki drum, taos drum, concert toms
Delmar Brown – synth intro
Michael D’Agostino – electronic drums
Yossi Fine – bass
Kihende O’Uhuru – shekere
Gordy Ryan – jimbae, asheiko, cowbell
Serpentine - vocal

Labyrynth (Luna) - 5:06

Robert Ansell – pony drum
Gordy Ryan – jun-jun
Rocky Bryant – snare, high hat
Arthur Hull – kalimba, village congas
Kevin Ansell - baliphone
Joy Plaisted – harp

Shavasana (Still Chillin’) - 8:52

Robert Ansell – pony drum, concert toms
Joe Bonadio – electronic drums
Morgan Doctor – drum loop, harmonica, thumb piano, misc. percussion
Laur Fugere – vocals
Harvey Jones – synth
Dassi Rosencrantz-Cabo – fretless bass